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#41
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As requested
Kalera wrote:
read Bullseye's tech tips once you understand the basics of glass chemistry, which they provide more concisely than any resource before ever has (unless I have missed some, which is of course easily possible) you will have an excellent basis for understanding and predicting color reactions in the kiln, furnace, or torch. Lauri Levanto wrote: yeah, that is one of the long paths I have not yet trespassed. Fortunately the reaction lines were not badly disturbed. Only I missed lines between dense white and tomato red, as there was a clear layer between. I do keep notes on color reactions. -lauri Thanks kalera, I have had a good private discussion with lani Mc Gregor on the subject. I have compiled the reaction chart for WGBB. What Was missing is personal experience how to make use of the reactions. -lauri |
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#42
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As requested
Well, I got nothing new for ya then. Pretty much if you understand
the basic chemistry behind the color reactions, you can predict them pretty well. Lauri Levanto wrote: Kalera wrote: read Bullseye's tech tips once you understand the basics of glass chemistry, which they provide more concisely than any resource before ever has (unless I have missed some, which is of course easily possible) you will have an excellent basis for understanding and predicting color reactions in the kiln, furnace, or torch. Lauri Levanto wrote: yeah, that is one of the long paths I have not yet trespassed. Fortunately the reaction lines were not badly disturbed. Only I missed lines between dense white and tomato red, as there was a clear layer between. I do keep notes on color reactions. -lauri Thanks kalera, I have had a good private discussion with lani Mc Gregor on the subject. I have compiled the reaction chart for WGBB. What Was missing is personal experience how to make use of the reactions. -lauri |
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