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#1
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Question for the designers out there
Ok - you've had your inspiration, where do you go next? The basic outline
(sans the fine detail), to the computer and your software, directly to needle and fabric or to paper and pencil. How about using specialty stitches - when do you make that decision? I have an inspiration from an architectural detail for a border or a band in a sampler. I've sketched in on graph paper and think I have a rough idea about colors. So where do I go from here? Cheryl |
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#2
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Like Mirjam said, put the main colors of floss on your fabric for a couple
of days. Look at it from some distance a few times a day, live with it. Watch your mood. Suddenly, at the supermarket or hairdresser, you will know what color to add or replace. You already sketched the border. Does it have a certain aspect that asks for different treatment? That could be a special stitch. Stitch a little sample to check colors and to try different stitches. You are making a sampler, if you are want to use this ornament for other elements, think of using the ornament in a different size, maybe as a blockshape. Or maybe the ornament contains a certain wave or line that you can put on your graph paper and (back-) stitch it. Have a good time, Grea "Cheryl Isaak" schreef in bericht ... Ok - you've had your inspiration, where do you go next? The basic outline (sans the fine detail), to the computer and your software, directly to needle and fabric or to paper and pencil. How about using specialty stitches - when do you make that decision? I have an inspiration from an architectural detail for a border or a band in a sampler. I've sketched in on graph paper and think I have a rough idea about colors. So where do I go from here? Cheryl |
#3
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Good points. Thank you!
I'm not sure if this a border or a motif or the start of a sampler yet. But I do think I know it's first use. Cheryl On 1/7/04 5:03 PM, in article , "vlerk" wrote: Like Mirjam said, put the main colors of floss on your fabric for a couple of days. Look at it from some distance a few times a day, live with it. Watch your mood. Suddenly, at the supermarket or hairdresser, you will know what color to add or replace. You already sketched the border. Does it have a certain aspect that asks for different treatment? That could be a special stitch. Stitch a little sample to check colors and to try different stitches. You are making a sampler, if you are want to use this ornament for other elements, think of using the ornament in a different size, maybe as a blockshape. Or maybe the ornament contains a certain wave or line that you can put on your graph paper and (back-) stitch it. Have a good time, Grea "Cheryl Isaak" schreef in bericht ... Ok - you've had your inspiration, where do you go next? The basic outline (sans the fine detail), to the computer and your software, directly to needle and fabric or to paper and pencil. How about using specialty stitches - when do you make that decision? I have an inspiration from an architectural detail for a border or a band in a sampler. I've sketched in on graph paper and think I have a rough idea about colors. So where do I go from here? Cheryl |
#4
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If you are not sure about the colors , take out the floss bundles and
lay them on the sketch and let that lay there for a day or two ,,,, mirjam On Wed, 07 Jan 2004 20:51:46 GMT, Cheryl Isaak wrote: Ok - you've had your inspiration, where do you go next? The basic outline (sans the fine detail), to the computer and your software, directly to needle and fabric or to paper and pencil. How about using specialty stitches - when do you make that decision? I have an inspiration from an architectural detail for a border or a band in a sampler. I've sketched in on graph paper and think I have a rough idea about colors. So where do I go from here? Cheryl |
#5
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Good advice. For color stuff, personally, I either do a quick watercolor
sketch, or use watercolor pencils. Essentially I do a better sketch in color with some media (for me, it's a painting, or crayon or pencil). But, that's because most of my sketches are by hand. If it's on the computer, as in Illustrator, then I play with colors there. I pick threads after doing colors. There is so much available in floss, wool, silk, perle cotton - that it seems possible to match close to any color. It may shift somewhat from my original vision, but that's that. I think for cross-stitch most designers have thread cards and can use those for basic reference. I have rings of thread samples, or cards, from some suppliers. Sometimes it might just strike me looking at some thread that I really want to use it, and then work from that (happens with some overdyes). Then I play with threads on the canvas or linen to see what I like. I agree with Mirjam - sometimes, just let them be there for a day or two (like picking paint for the walls). Specialty stitches - I look at what the design is, and where I'd want to add texture, or a special effect, and what stitch might add that extra dimension. Maybe doodle a couple of stitches, see how they look to you, and then add them in where you see them fitting your design. For things like this, I find that the series of "Stitches for Effect, More Stitches..., & Even More Stitches" by Beth Robertson and Suzanne Howeren are awesome. They have good diagrams, and lots of information about using them, and threads. Also, the Thread Thesaurus - by them along with Ann Caswell - a fantastic reference. In addition, on the ANG website there is a stitch of the month link, which has great stitches with information about them. Hope that helps. Just my way. Everyone has their own. ellice On 1/7/04 5:09 PM,"Mirjam Bruck-Cohen" posted: If you are not sure about the colors , take out the floss bundles and lay them on the sketch and let that lay there for a day or two ,,,, mirjam On Wed, 07 Jan 2004 20:51:46 GMT, Cheryl Isaak wrote: Ok - you've had your inspiration, where do you go next? The basic outline (sans the fine detail), to the computer and your software, directly to needle and fabric or to paper and pencil. How about using specialty stitches - when do you make that decision? I have an inspiration from an architectural detail for a border or a band in a sampler. I've sketched in on graph paper and think I have a rough idea about colors. So where do I go from here? Cheryl |
#6
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Now Cheryl second and next step you laid your colors , hopefully chose
the matched ones , now think what Texture you want on each part ,Rough ? smooth?? etc,,,, What stiches will `touch` you as TELLING The part of the story in this particular part of the work ??? close your eyes , imagine the colors as music , each color a tune of one instrument ...they should play a tune , a concert , as harmonious intheir colors and textures as you and only you can produce and hear.... try it imagine it taste it ,,, mirjam |
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